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Introduction

The Library of the Palais Bourbon in Paris

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays. Within this broader definition, literature includes non-fictional books, articles, or other written information on a particular subject. (Full article...)

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Selected work

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First edition cover of The Red Badge of Courage
The Red Badge of Courage is a war novel by American author Stephen Crane. Taking place during the American Civil War, which concluded before Crane was born, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer.

The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, Crane's story reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him. Also notable for its use of what Crane called a "psychological portrayal of fear", the novel's allegorical and symbolic qualities are often debated by critics. Several of the themes that the story explores are maturation, heroism, cowardice, and the indifference of nature. The Red Badge of Courage garnered widespread acclaim—what H. G. Wells called "an orgy of praise"—shortly after its publication, making Crane an instant celebrity at the age of twenty-four.

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  • Image 1 Title page of the first edition of Wright's Certaine Errors in Navigation (1599) Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts. Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)

    Title page of the first edition of Wright's Certaine Errors in Navigation (1599)

    Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts.

    Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)
  • Image 2 Photo by Tee Corinne, 1983 Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote five lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships. Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)

    Photo by Tee Corinne, 1983

    Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote five lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.

    Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)
  • Image 3 Andrade in 1928 Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)

    Andrade in 1928

    Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.

    Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)
  • Image 4 17th-century depiction of Murasaki by Tosa Mitsuoki Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
    Japanese woman in multi-layered clothing writing at a desk
    17th-century depiction of Murasaki by Tosa Mitsuoki

    Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

    Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
  • Image 5 Francis bin Fathallah bin Nasrallah Marrash (Arabic: فرنسيس بن فتح الله بن نصر الله مرّاش, ALA-LC: Fransīs bin Fatḥ Allāh bin Naṣr Allāh Marrāsh; 1835 or 29 June 1836 – 1874), also known as Francis al-Marrash or Francis Marrash al-Halabi, was a Syrian scholar, publicist, writer and poet of the Nahda or the Arab Renaissance, and a physician. Most of his works revolve around science, history and religion, analysed under an epistemological light. He traveled throughout West Asia and France in his youth, and after some medical training and a year of practice in his native Aleppo, during which he wrote several works, he enrolled in a medical school in Paris; yet, declining health and growing blindness forced him to return to Aleppo, where he produced more literary works until his early death. Historian Matti Moosa considered Marrash to have been the first truly cosmopolitan Arab intellectual and writer of modern times. Marrash adhered to the principles of the French Revolution and defended them in his own works, implicitly criticizing Ottoman rule in West Asia and North Africa. He was also influential in introducing French romanticism in the Arab world, especially through his use of poetic prose and prose poetry, of which his writings were the first examples in modern Arabic literature, according to Salma Khadra Jayyusi and Shmuel Moreh. His modes of thinking and feeling, and ways of expressing them, have had a lasting influence on contemporary Arab thought and on the Mahjari poets. (Full article...)

    Francis bin Fathallah bin Nasrallah Marrash (Arabic: فرنسيس بن فتح الله بن نصر الله مرّاش, ALA-LC: Fransīs bin Fatḥ Allāh bin Naṣr Allāh Marrāsh; 1835 or 29 June 1836 – 1874), also known as Francis al-Marrash or Francis Marrash al-Halabi, was a Syrian scholar, publicist, writer and poet of the Nahda or the Arab Renaissance, and a physician. Most of his works revolve around science, history and religion, analysed under an epistemological light. He traveled throughout West Asia and France in his youth, and after some medical training and a year of practice in his native Aleppo, during which he wrote several works, he enrolled in a medical school in Paris; yet, declining health and growing blindness forced him to return to Aleppo, where he produced more literary works until his early death.

    Historian Matti Moosa considered Marrash to have been the first truly cosmopolitan Arab intellectual and writer of modern times. Marrash adhered to the principles of the French Revolution and defended them in his own works, implicitly criticizing Ottoman rule in West Asia and North Africa. He was also influential in introducing French romanticism in the Arab world, especially through his use of poetic prose and prose poetry, of which his writings were the first examples in modern Arabic literature, according to Salma Khadra Jayyusi and Shmuel Moreh. His modes of thinking and feeling, and ways of expressing them, have had a lasting influence on contemporary Arab thought and on the Mahjari poets. (Full article...)
  • Image 6 Amir Hamzah, c. 1928–1937 Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave. Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)

    Amir Hamzah, c. 1928–1937

    Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave.

    Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)
  • Image 7 Lie, c. 1900 Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lí Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company. Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)

    Lie, c. 1900

    Lie Kim Hok (Chinese: 李金福; pinyin: Lǐ Jīnfú; Pe̍h-ōe-jī: Lí Kim-hok; 1 November 1853 – 6 May 1912) was a peranakan Chinese teacher, writer, and social worker active in the Dutch East Indies and styled the "father of Chinese Malay literature". Born in Buitenzorg (now Bogor), West Java, Lie received his formal education in missionary schools and by the 1870s was fluent in Sundanese, vernacular Malay, and Dutch, though he was unable to understand Chinese. In the mid-1870s he married and began working as the editor of two periodicals published by his teacher and mentor D. J. van der Linden. Lie left the position in 1880. His wife died the following year. Lie published his first books, including the critically acclaimed syair (poem) Sair Tjerita Siti Akbari and grammar book Malajoe Batawi, in 1884. When van der Linden died the following year, Lie purchased the printing press and opened his own company.

    Over the following two years Lie published numerous books, including Tjhit Liap Seng, considered the first Chinese Malay novel. He also acquired printing rights for Pembrita Betawi, a newspaper based in Batavia (now Jakarta), and moved to the city. After selling his printing press in 1887, the writer spent three years working in various lines of employment until he found stability in 1890 at a rice mill operated by a friend. The following year he married Tan Sioe Nio, with whom he had four children. Lie published two books in the 1890s and, in 1900, became a founding member of the Chinese organisation Tiong Hoa Hwee Koan, which he left in 1904. Lie focused on his translations and social work for the remainder of his life, until his death from typhus at age 58. (Full article...)
  • Image 8 Revised daguerreotype taken in 1842 Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)

    Revised daguerreotype taken in 1842

    Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.

    Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)
  • Image 9 Mary Wollstonecraft Shelley (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft. Mary's mother died 11 days after giving birth to her. She was raised by her father, who provided her with a rich informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary had a troubled relationship. (Full article...)

    Mary Wollstonecraft Shelley (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft.

    Mary's mother died 11 days after giving birth to her. She was raised by her father, who provided her with a rich informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary had a troubled relationship. (Full article...)
  • Image 10 Angelou in 1993 Maya Angelou (/ˈændʒəloʊ/ ⓘ AN-jə-loh; born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim. She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. (Full article...)

    Angelou in 1993

    Maya Angelou (/ˈændʒəloʊ/ ⓘ AN-jə-loh; born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.

    She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. (Full article...)
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Literary collaborations
Literary education
Literary events
Literary genres
Literary motifs
Literary organizations
Literary theory
Literary translation
Literary works
Literature databases
Literature franchises
Literature in popular culture
Literature lists
Literature records
Literature timelines
Meitei literature
Miscellanies
Nicknames in literature
Occupations in literature
Oral literature
People in literature
Postcolonial literature
Professorships in literature
Quotations from literature
References in literary works
Self-portraiture
Stylistics
Unfinished literature
Versions of literary works
Wikipedia categories named after texts
Works about literature
Works based on literature
Literature stubs
Wikipedia categories named after literary texts
Portals related to literature
Concepts:
Genres:
Religions:

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WikiProjects related to literature:

Concepts: Biographies · Books · Comics · Magazines · Manga · Novels · Poetry · Short stories · Translation studies
Genres: Alternate history · Children's literature · Crime · Fantasy · Horror · Mythology · Romance · Science fiction
Authors: Honoré de Balzac · Roald Dahl · William Shakespeare
Series: Artemis Fowl · Chronicles of Narnia · Discworld · Harry Potter · His Dark Materials · Hitchhiker's Guide to the Galaxy · Inheritance Cycle · James Bond · King Arthur · Middle-earth · Percy Jackson · Redwall · A Series of Unfortunate Events · Shannara · Sherlock Holmes · A Song of Ice and Fire · Star Wars · Sword of Truth · Twilight · Warriors · Water Margin · Wizard of Oz
Regions: Australian literature · Indian literature · Persian literature

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